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Unified Pattern — Triple — without YANG, hexagram 6 (Sheng, Pushing Upward — King Wen no. 46)

One of 256 distinct Unified Patterns — a 12×12 Jacquard construction where every cell's colour is read off a single hexagram of the Yi King, hexagram Sheng, Pushing Upward. Binary numbering 0–63; in brackets, the traditional King Wen number.

Family Triple — without YANG, one of the 8 admissible families (out of 15) in the system's classification — see the lexicon for how families are built and admitted.

Tricolour — three independent colours

The pattern's three colour classes, set independently — change one, the other two stay put.

Cell
Tiling
Monochrome — one tint

One tint, read in light and dark — a luminance reading, not three colours with two greyed out.

Cell
Tiling

Reading the cell, line by line

The 144 cells of the 12×12 cell fall into six levels of 24 cells, one per line of the hexagram. Where the line is solid (yang), the level takes its colours from the family's YANG grid; where it is broken (yin), from its YANG mutant grid. Count of each colour, level by level:

LevelLineGrid readColour 1 (violet)Colour 2 (magenta)Colour 3 (orange)
1brokenYANG mutant888
2solidYANG888
3solidYANG888
4brokenYANG mutant888
5brokenYANG mutant888
6brokenYANG mutant888
Whole cell484848

The three colours are exactly balanced: 48 cells each. The cell is unchanged by reflection in the diagonal, a half turn.

Hexagram 6 (King Wen no. 46) — Pushing Upward

Upper trigram ☷ Kun (The Receptive, the Earth); lower trigram ☴ Xun (The Gentle, Wind).

Image

Within the Earth, wood grows: the image of pushing upward. The seed, unseen beneath the surface, patiently pushes toward the light without ever skipping a stage — a growth slow but unstoppable. This is the figure of ascent earned through constancy. Thus the noble one, yielding to virtue, accumulates the small to reach what is high and great: nothing that truly grows skips a step, everything is built layer upon layer.

Judgement — Growth

To approach and to grow are a single vertical gesture. There is no real separation between drawing near one's goal and growing toward it — the two movements are one, as the growing stem is already, in seed, the tree to come. This line teaches the continuity between the small present gesture and the great future result.

The full hexagram page: the six lines, its magic square and the other patterns built on it.

Same shape, other colourings

Two involutions leave this motif's shape unchanged and only permute its three tints — verified across every family and every hexagram in the corpus, not just this one: swapping the pairing used to read the hexagram (YANG/YANG-mutant ↔ YIN/YIN-mutant), and taking the hexagram's binary complement (63 − 6 = 57). Toggle them below; the tiling never changes, only the colours do.

The grid itself

The 12×12 layer map and the three colour grids above, in the raw data — human-readable, and machine-readable as JSON.

Show the data
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 "complement_binaire": 57,
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}

Neighbouring motifs

The previous and next hexagram within the same family, Triple — without YANG.

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© 2026 Anibal Edelberto Amiot — CC BY-NC 4.0 · Created in collaboration with Claude